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The Hexapox (Part I: An Introduction)

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Like many a brave knitter before me, I was doomed the first time I glanced at the beast.  I speak, of course, of the beekeeper's quilt, tiny owl knits's irresistibly adorable knit hexagon quilt.  As soon as I saw it, visions of all of my project leftovers turned into puffy little bits started floating through my head.  I wanted a memory quilt, with each hexapuff a completely unique reminder of a project I had worked on.  I downloaded the pattern right away.

These were my first puffs.  I made the first (the shiny one) with some gorgeous Handmaiden Sea Silk that was left after I made myself a wedding shawl.  The other two are from a ball of Knitpicks Chroma fingering.  The Chroma didn't work out in the project I intended it for, but it was perfect for multiple puffs.  I loved the subtlety of the colors, and the variegation ensured that each puff was unique.

Once I learned the pattern and confirmed that I liked following it, it was time to decide whether I wanted my puffs stuffed or unstuffed.  I stuffed these with cotton balls to see how they looked, and Mike and I decided that we would prefer our quilt a bit puffy.  I did some research into a variety of stuffing options, and I decided that cotton would be the best option for me, since I wanted something natural.

I went to one of my LYSes to buy the cotton stuffing, where I progressed to stage 2 of the hexapox:

Mini mania.  Information on mini mania to follow in the next post in this series.  I suggest inoculations if you are susceptible to obsession with tiny, adorable bits of yarn.


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